Wednesday 24 April 2013

Untitled (Perfect Lovers)

Between 1987 and 1990 artist Felix Gonzalez-Torres made an edition of 3 plus 1 artist’s proof of “Untitled” (Perfect Lovers)” to memorize his lover Ross Laycock, which consists of a identical pair of store-bought black-rimmed clocks.  The clocks followed each other so they remained the same position every time.  Ross Laycock died of an AIDS-related illness in 1991. In the same year Gonzalez-Torres created a white version of the work, which is owned by the MoMa, New York. The guidelines regarding how the work should be arranged and displayed are the following: “When installed, the two clocks were to touch; the clocks could be replaced with white plastic commercial clocks of similar dimensions and design; the minute and second hands were to be set in sync, with the understanding that eventually they might go out of sync during the course of the exhibition; if one of the clocks needed the batteries replaced, it was to be done, and the clocks were to be reset accordingly; the clocks were to be displayed on a wall painted light blue.”















There is a love letter as well,
















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